A-N Professional Development Bursary

A-N Blog here

Developing traditional-digital drawing using the Equil Smartpen with Bo Jones, as part of the A-N Professional Development bursary. See the A-N blog for more information.

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Ghost buildings

I have decided to pursue the idea of projection through using forms related to #senseofplace – this will form the basis of my work with artist Bo Jones for the remainder of the year as part of the A-N Professional Development Bursary here:

A-N Professional Development Introduction

A-N Professional Development Bursary- starting points

Form; drawing in space

  
I have been starting to look at how digital drawing may or may not become a tool in my ‘quick-I’ve-got-5-minutes’ toolbox. Having produced a set of sketches in Brushes based upon the idea of subterranean structures, I wanted a way to use these marks in a physical sense.    

 Printing onto acetate allowed me to play with layering the markmaking further, and wanting to make this into a more three-dimensional form, I cut up and stitched together pieces of acetate drawing to make a cube and a simple ‘house’ form.  

  

 As with other drawings for previous projects (collab with Sarah Brown Wills, sketchbook circle with Elinor Brass) where structure has led to making ‘form’ with the drawings, I still feel compelled to explore how these 3D maquettes could become environments in their own right. So my next collaboration with artist Bo Jones will seek to explore just that…..

To share or not to share…

  
I am two months in to a six month collaboration with ten other artists . My practice has become more about being present and mindful of the ‘process’ of having a ‘practice’. So I set a brief and shared it with others to play with the idea of context or place (see earlier posts). And what I am discovering through being part of this collaboration is the fundamental need to share, to show what your response has been, and that makes me curious. We have agreed to limit ‘sharing’ images via social media of work in progress to a minimum so as not to disrupt the process of the collaboration. That limitation has been difficult for me as I am a compulsive ‘sharer’; I have never really questioned why before but now I am. 

I am not interested in having a commercial practice, in having a brand or product. I am not really that interested in galleries. I wonder therefore what motivates the need to ‘share’. I know that I have made links with others who have similar preoccupations through seeing the world through their eyes/work. Maybe that’s the reason? To validate something undefinable? Still mulling it over….

Maps, not maps 

   
 As part of an ongoing response to the old war hospital site at #Brindleyvillage I have been looking at how to ‘draw’ the unseen- the parts that are no longer there. 
I am not normally a fan of digital drawing, the quality of the lines made to me are somehow flat and unexciting. However I have discovered an app called Sketches Pro which allows layering of digital transfers and transparencies and this suits my printmakers mind.    

 I am interested in how I can use this as a developmental tool in formulating a response to the footprint left at the war hospital site. The only architectural remains now are square concrete post-holes and bits of moss covered brick- mostly square in shape. These remnants, combined with aerial maps of the area in the 1940s have been combined to form abstract pattern:    

   

Dis:placed Month 1

I am going to limit my blog to talking about/ showing process rather than final outcomes, as we have agreed as a group not to share images of the work that we will be sending on to the next artist during the course of the ‘Dis:placed’ collaboration. That in itself causes a different slant to the internal discourse, as I have become used to sharing outcomes regularly with Twitter followers and the Artist Teacher group.

What has come up for me is a filtering of processes, I am a bit of a magpie when it comes to ‘collecting’ techniques and approaches to recording from an object. Maybe it’s the printmaker in me but whenever I approach something new I immediately set about finding ways to extract ‘markmaking’ from it- casting, rubbings, printing, photographing….numerous ways of getting something to talk to you.

From drawing to manipulating surface qualities, I have found that digital development is starting to feature more prominently in the process that I am using; video and projection are relatively new media to me but are starting to appear in my approach to pushing a drawing further.

Video and projection 1

Video and projection 2

I have two sets of objects to respond to this month and it will be interesting to see how I can develop the role of digital media in this process further…..

 

 

Displaced -collaboration begins 

  This month the magic begins…. after a non-productive hiatus in January involving much soul searching about the future, I am glad to see the beginnings of this collaboration. And the agreement not to share images of work produced along the way is an interesting one to follow….so far all I have visually reflected upon is processes that are jostling their way to the front. 

My part in the collaboration is to respond to two ‘places’ each month, as it was necessary to ‘make up the numbers’ so that we can all participate in four pieces of work each before the work is collected back together. Having spent the last few months coming up against a stumbling block in legitimising my response to the old war hospital site it is energising to be the recipient of two very different ‘puzzles’. 

My dialogue with each of the ‘places’ I have been sent is a weaving of current preoccupations and a push to explore and question new ways to share my response; a vehicle to move away from the stumbling block and look afresh at what ‘response’ is. And the main point of setting this brief was to examine the removal of context in responding to a place- none of us know the background or significance of the place that has been chosen for us to be inspired by. 

Oo the fun is only just beginning!